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Posts Tagged ‘Richard Kitson’

and no there isn’t a hole on The Greystones stage, Mr Richard Kitson more than makes up for in quality song writing and the gift of the gab. He can play a guitar a bit too. Another excellent “Evening With…” himself last night, along with guests Joe Solo, Georgina Gilmartin plus bonus offerings from Richard & Georgina’s Recharging Radios project and a cheeky Fargo number to finish off. Big thanks to all who played and everyone that joined us.

Next for WagonWheel Presents… we return to The Greystones on Sunday April 30th when John Statz comes to Sheffield as part of his European tour for brand new album The Fire Sermon. Opening the show will be The Fargo Railroad Co. with an acoustic set. You can find full details for this show here. See you then?

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it was all going off on Friday night as Richard Kitson launched his brand new album In Your Own Time with us at The Greystones. The night began with King Quentin opening the show before Richard and an array of guests entertained a near full house. A wonderful time indeed, the record is on sale now.

WagonWheel Presents… returns to The Greystones on Sunday September 4th when we’re looking forward to the highly anticipated return of Rod Picott. Support comes from Walton Hesse (Matt plays a solo set). Full details for this show can be found here, we hope you can join us then.

WWP 19.08.16

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always make for a good night. That was certainly the case yesterday in the mighty fine company of Curtis Eller’s American Circus who put on a typically wonderful show. Big thanks to Curtis & the family, those lovely Silver Darlings and every body who came along and filled The Greystones.

WagonWheel Presents… is back in The Backroom on Friday August 19th when The Yorkshire Bluesman Richard Kitson launches his brand new album In Your Own Time. Opening the show will be King Quentin to add to what already promises to be another special night. You can find a full preview and ticket details for this show here. Who’s coming?

WWP 03.08.16

 

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lots of thanks to The Payroll Union, The Fargo Railroad Co., The Sopranistas, Neil McSweeney, Ash Gray, Roaming Son, William Barstow, Richard Kitson, Quiet Loner, E.R. Thorpe, Steve Roberts, Rod Picott and Mat Wale & Friends for a whole weekend of great music at The Greystones. Plus of course to those of you came along, many for more than one gig too (i think the record was three?). It was really rather good, even if i say so myself.

So that’s our 2016 for WagonWheel Presents… well and truly kicked off. If you’ve enjoyed what you’ve heard this weekend, take a look at our listings for the months ahead here. Next up we’ve got Austin Lucas and Adam Faucett at Shakespeares on Tuesday March 1st. We’ll be back at The Greystones on Tuesday March 15th with Rachel Ries plus support from Tom Baxendale and Yellowcake.

See you then?

WWP WW Weekender

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On Friday April 7th, WagonWheel Presents… brings you Another Evening With Richard Kitson at The Greystones. Following the success of his In Your Own Time album launch with us last year, The Yorkshire Bluesman will again be performing an extended set of his own material and some classic blues/folk standards along with the help of a guest or two. Joining us to complete a fine night of entertainment will be Joe Solo and Georgina Gilmartin. Advance tickets priced at £4 are available from http://www.wegottickets.com/event/381422 and the venue (12-6pm). Entry on the night will be £5. Doors open 7.45pm.

 

***RICHARD KITSON***

richard-kitson-new

In 2014 Folk Radio UK described Richard Kitson as ‘one of the best guitar pickers of his generation’. Kitson has earned this reputation over a decade of honing his skills both as a solo acoustic performer and occasional band leader. Kitson’s love of the blues began when he heard the song ‘Bye Bye Bird’ by Sonny Boy Williamson II not long after he started teaching himself to play the harmonica at the age of eleven. A desire to learn the guitar soon followed. After pestering his parents for an acoustic guitar they relented and by the age of fourteen he was teaching himself to play under the influence of Bob Dylan, Big Bill Broonzy, Robert Johnson, Rory Gallagher and Mississippi John Hurt. These musicians (among many others) helped Kitson develop his fingerstyle and slide guitar playing alongside his original song writing.

From 2001 Kitson began honing his performing skills in Sheffield folk clubs and other venues in and around South Yorkshire, often supporting established touring artists such as Wilko Johnson, Otis Gibbs, Peggy Seeger and John Tamms. In a typical set Kitson can be found playing classic country and delta blues covers by the likes of his aforementioned influences alongside his self-penned folk/blues style songs. A skilled raconteur, Kitson often embellishes his sets with humorous links and background stories to his songs.

Richard Kitson has quietly emerged as one of the best guitar pickers of his generation; one who marries blues and folk styles into a fresh new sound.” Folk Radio UK

When I grow up I want to play guitar like Richard Kitson.” Otis Gibbs

http://www.richardkitson.co.uk

 

***JOE SOLO***

joe-solo

Joe Solo is an award-winning musician, writer, poet, activist, broadcaster and washing machine engineer from Scarborough. His musical odyssey began in 1987 fronting a bash-em-out band at school, and has seen him play seven countries either as lynchpin of pop-punk upstarts Lithium Joe or hammering out his unique brand of Folk, Punk and Blues in his own right.

On top of releasing fourteen albums since 2004, Solo has written books and had them written about him; runs a research project on the Hull Pals Battalions in the First World War; has worked with underprivileged children to help them write their lives in song; run a weekly radio show; and still found time to open for the likes of Chris Wood, David Rovics, Attila the Stockbroker, Otis Gibbs, Robb Johnson, Edgar Broughton, TV Smith, Paul Simmonds, Emily Portman, Pete Wylie, The Blockheads and Billy Bragg; whilst his songs have been played by John Peel on Radio One, Mike Harding on Radio Two and Tom Robinson on  BBC6Music.

In May 2015 Joe helped create WE SHALL OVERCOME, a campaign pushing for a positive response from the music community to the poverty and hardship inflicted on ordinary people by the government’s austerity program. Since October 2015 the movement has put on 550 gigs in 135 towns and cities across 8 countries on 3 continents raising an estimated £225,000 in cash, food, clothing and bedding for those hardest hit. WSO scooped the People’s Choice gong at the annual Yorkshire Grassroots Music Awards on 16th October 2015, and on the back of his efforts The Morning Star named Solo ‘Human Being of the Year’.

2016 saw Joe and The Hurriers front-man Tony Wright collaborate on ‘May Day Festival of Solidarity‘. The event, which brought together voices from music, poetry and politics to celebrate International Worker’s Day, took place in Barnsley on  May 1st and a packed house saw stunning performances from artists as varied as Grace Petrie, Phil ‘Swill’ Odgers, Attila the Stockbroker, Lizzie Nunnery & Vidar Norheim and The Wakes. 2017’s event is in planning.

In October 2016 he was awarded the ‘Outstanding Songwriting’ prize at Yorkshire Gig Guide Grassroots Music Awards for his work on the album ‘Never Be Defeated’ telling the stories of the men and women of Hatfield during the 1984-85 Miner’s Strike.

Live, Solo has a growing reputation as both a performer and raconteur, being both thought-provoking, comical and punch-the-air political often in the same breath. He is not an artist you forget in a hurry.

The perfect protest singer.” – R2 Magazine

I was struck by the passion of his delivery combined with his sense of fun – a true entertainer in the very best sense of the word.”- FATEA

I heard this noise coming off the stage, I went WOW, whoever that is I’ve got to go and check him out and there was just this one man on the stage blowing up a storm with an acoustic guitar!” – Tom Robinson, BBC 6Music

http://joesolomusic.com

 

***GEORGINA GILMARTIN***

georgina-gilmartin

Georgina Gilmartin is an alternative folk singer/songwriter, who since making her debut at an open mic in 2011 has become a stalwart of the Barnsley music scene. Observations on life, people, and other assorted objects, have produced several EPs worth a material that are set for the studio. Georgina & Richard have also collaborated on the duo project Recharging Radios, from which we may hear a song or two tonight.

http://www.facebook.com/Georgina-Gilmartin-116178705163231

 

Facebook Event page:

http://www.facebook.com/events/707801169376446

 

 

 

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On Wednesday August 30th, WagonWheel Presents… welcomes Curtis Eller’s American Circus back to The Greystones. Curtis Eller’s American Circus is preparing to embark on a 16 date tour of the UK. The iconoclastic banjo player will be accompanied by a brutish, inelegant backing band drawn from a stable of incendiary musicians from the US and England. The American Circus, have developed a devoted international following based on dynamic, unhinged live performances and a disquieting catalog of strange recordings populated by a ghastly parade of historical luminaries. Lace up your dancing shoes. We’ll see you under the dusty canvas of the bigtop! Plus support from Richard Kitson. Advance tickets priced at £10 are available from http://www.wegottickets.com/event/397577 and the venue (12-6pm). Entry on the night will be £12. Doors open 7.45pm.

 

***CURTIS ELLER’S AMERICAN CIRCUS***

Curtis Eller is a banjo player, songwriter and rock & roll singer. After beginning his show business career at the age of seven as a juggler and acrobat, the Detroit native turned to the banjo and lit out for New York City where he rose to obscurity as “New York’s angriest yodeling banjo player”. Siting Buster Keaton, Abraham Lincoln and Elvis Presley as his primary musical influences, Eller became a staple of the beer halls, burlesque houses and underground theaters of the eastern seaboard. Fame proved elusive.

​Having spent years toiling in the musical sweatshops of the industrial north, Eller uprooted his family and resettled in some faded, tobacco town in the North Carolina Piedmont to begin the arduous task of assembling a new version of his band, The American Circus. The latest version of the ensemble is a brutish and inelegant rock & roll outfit specializing in banjo music for funerals, gospel tunes for atheists and novelty dance fads for amputees. A lavish, Hollywood, dance sequence unfolding on the floor of a Chicago meatpacking plant in 1894. 

Eller’s numerous compositions describe a dreamlike vision of American history where all points in time have collapsed into one. Past recordings have seen a ghastly parade of historical luminaries, from Abraham Lincoln and Buster Keaton to Amelia Earhart and Joe Louis, sharing the spotlight with a host of Civil War generals and corrupt 19th century politicians.

The group’s latest phonographic recording, “How to Make It in Hollywood”, is a compact collection of glittery show tunes, sentimental tear-jerkers and rock & roll rave-ups whose lyrics are populated with two-bit prize fighters, Hollywood has-beens, lapsed gospel singers and forgotten pop stars. Eller relentlessly tours the US and Europe with an expanding and contracting cast of misfits. Following a successful Kickstarter campaign, a new album is also due later this year.

http://www.curtiseller.com

 

***RICHARD KITSON***

In 2014 Folk Radio UK described Richard Kitson as ‘one of the best guitar pickers of his generation’. Kitson has earned this reputation over a decade of honing his skills both as a solo acoustic performer and occasional band leader. Kitson’s love of the blues began when he heard the song ‘Bye Bye Bird’ by Sonny Boy Williamson II not long after he started teaching himself to play the harmonica at the age of eleven. A desire to learn the guitar soon followed. After pestering his parents for an acoustic guitar they relented and by the age of fourteen he was teaching himself to play under the influence of Bob Dylan, Big Bill Broonzy, Robert Johnson, Rory Gallagher and Mississippi John Hurt. These musicians (among many others) helped Kitson develop his fingerstyle and slide guitar playing alongside his original song writing.

From 2001 Kitson began honing his performing skills in Sheffield folk clubs and other venues in and around South Yorkshire, often supporting established touring artists such as Wilko Johnson, Otis Gibbs, Peggy Seeger and John Tamms. In a typical set Kitson can be found playing classic country and delta blues covers by the likes of his aforementioned influences alongside his self-penned folk/blues style songs. A skilled raconteur, Kitson often embellishes his sets with humorous links and background stories to his songs.

Richard Kitson has quietly emerged as one of the best guitar pickers of his generation; one who marries blues and folk styles into a fresh new sound.” Folk Radio UK

When I grow up I want to play guitar like Richard Kitson.” Otis Gibbs

http://www.richardkitson.co.uk

 

Facebook Event page:

http://www.facebook.com/events/619156578277048

 

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plenty of rain, a slight change of plan, but our Tramlines show at Shakespeares yesterday still delivered 14 great acts over 2 stages that all added up to 1 pretty damned fine day. Big thanks to Neil McSweeney, Ash Gray & Couch Fire, Mat Wale & Friends, Walton Hesse, Joe Solo, Anytown, The Janskys, Pete David (The Payroll Union), Robert Chaney, Pete Gow (Case Hardin), Richard Kitson, E.R. Thorpe, William Barstow, Blue Rooster and everybody that came along throughout a very busy day and made it a special one.

WagonWheel Presents… returns to action in our regular monthly Saturday slot at Shakespeares on August 29th when we’lll be in the company of King Quentin, The Sea Whores and The Ragged Edge. More details can be found on the Gigs page. We hope you can join us then.

Don’t forget you can keep up to date with the latest gig news on our Facebook page where you’ll also find a few more photos from yesterday.

WWP 26.07.15

 

 

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